Classical Reviews/Composers & Works

21 interviews, and over 475 reviews of classical CDs, SACDs, DVDs, Blu-rays, and downloads in this 640-page issue!

Latest Music Reviews

In his 1961 essay “Style and ‘Styles’ in Music,” Roger Sessions draws the distinction between stylistic range and stylistic refinement, and identifies with the former the...

Nowhere on the CD box or in the liner notes does it say who arranged these pieces by Claude Bolling for three strings (violin and cello...


Recent Music Reviews

This disc is another in Delos’s series of reissues from the catalog of the defunct Russian Disc label, of which I have already reviewed several. In...

This well-conceived, received, conducted, and recorded cycle of the Schubert Symphonies is a reissue from 1997. Essentials of recent Schubert scholarship were already in place at...

There is little that bugs me more than when booklet notes begin by invidious comparisons. Such is the case with this disc, where the opening paragraphs...

This latest installment in Dutton’s invaluable—and seemingly exhaustive—survey of Richard Arnell’s large catalogue opens with two works from his precociously prolific early-20s and closes with two...


More Music Reviews

This massive set, containing the entire official Wagnerian canon, consists of DVDs previously issued as individual operas but here assembled in a convenient box measuring 5”...

If you were around during the late 1940s you almost had to be aware of the Sabre Dance from Khachaturian’s ballet, Gayne (as it was spelled...

Whatever else you can say about her, director Francesca Zambello does not readily fall into conventional thinking. Last summer, she surprised audiences by mounting Aida

Arabella is one of Richard Strauss’s more popular works, his last in collaboration with master librettist Hugo von Hofmannsthal, who died before final editing could be...

Here we have a well played, very stodgy version of Nielsen’s Second Symphony. There’s no accenting or phrasing to remind us of the collerico part in...

This is the first of Fabio Luisi’s ongoing Mahler cycle that I’ve encountered, and we are in at the deep end with the deceptive simplicity and...