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Performer: David Rosenboom AUSTIN, LARRY: Montage—Themes and Variations for Violin and Computer Music on Tape (Review by Mike Silverton) | computer music system | AUSTIN, LARRY: Montage—Themes and Variations for Violin and Computer Music on Tape (Review by Mike Silverton) | piano | BRAXTON, ANTHONY: Composition No. 107 (Review by Mike Silverton) | computer music system | BRAXTON, ANTHONY: Composition No. 107 (Review by Mike Silverton) | piano | BYRON, MICHAEL: Music of Nights Without Moon or Pearl. Invisible "Seeds" for James Tenney. Entrances (Review by Peter Burwasser) | conductor | BYRON, MICHAEL: Music of Nights Without Moon or Pearl. Invisible "Seeds" for James Tenney. Entrances (Review by Raymond Tuttle) | conductor | BYRON, MICHAEL: Music of Nights Without Moon or Pearl. Invisible "Seeds" for James Tenney. Entrances (Review by Peter Burwasser) | piano | BYRON, MICHAEL: Music of Nights Without Moon or Pearl. Invisible "Seeds" for James Tenney. Entrances (Review by Raymond Tuttle) | piano | BYRON, MICHAEL: Tidal. Entrances (Review by David Sachs) | piano | HILLER, LEJAREN: Computer Music Retrospective (Review by Kyle Gann) | violin | HILLER, LEJAREN: Expo '85, for Multiple Synthesizers. String Quartet No. 4. Computer Music for Percussion and Tape. Persiflage. An Avalanche (Review by Kyle Gann) | violin | LANSKY, PAUL: As If, for String Trio and Computer-Synthesized Sound (Review by Mike Silverton) | computer music system | LANSKY, PAUL: As If, for String Trio and Computer-Synthesized Sound (Review by Mike Silverton) | piano | MELBY: Concerto No. 1 for Flute and Computer-Synthesized Tape (Review by Mike Silverton) | computer music system | MELBY: Concerto No. 1 for Flute and Computer-Synthesized Tape (Review by Mike Silverton) | piano | ROSENBOOM: A Precipice in Time* (Review by Mike Silverton) | computer music system | ROSENBOOM: A Precipice in Time* (Review by Mike Silverton) | piano | ROSENBOOM: And Out Come the Night Ears; How Much Better if Plymouth Rock had Landed on the Pilgrims, Section V (Review by Jürgen Gothe) | piano | ROSENBOOM: Future Travel. And Out Come the Night Ears (Review by Robert Carl) | piano | ROSENBOOM: Future Travel. And Out Come the Night Ears (Review by Robert Carl) | synthesizers | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | computer | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | drawbar organ | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | electronics | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | field recordings | ROSENBOOM: How Much Better If Pilgrim Rock Had Landed on the Pilgrims (Review by Robert Carl) | piano | ROSENBOOM: In the Beginning (Review by Robert Carl) | buchla synth | ROSENBOOM: In the Beginning (Review by Robert Carl) | piano | ROSENBOOM: Systems of Judgment (Review by Mike Silverton) | electronics | ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton) | HFG Hierarchical Form Generator | ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton) | midi grand piano | ROSENBOOM/BRAXTON: Lineage. Enactment. Two Lines. Transfiguration. Transference (Review by Mike Silverton) | responding sampled piano |
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