|
|
Performer: Christophe Rousset 200 YEARS OF MUSIC AT VERSAILLES: (Review by Michael Carter) | conductor | ARIAS FOR ANNA DE AMICIS: (Review by Bertil van Boer) | conductor | LE MANUSCRIT DE MADAME THÉOBON: (Review by Bertil van Boer) | harpsichord | TRAGEDIENNES 2: (Review by Joel Kasow) | conductor | AUBER, DANIEL FRANCOIS ESPRIT: La muette de Portici (Review by Henry Fogel) | conductor | AUBER, DANIEL FRANCOIS ESPRIT: La muette de Portici (Review by David Cutler) | conductor | BACH, CARL PHILIPP EMANUEL: Cello Concerto in A, Wq 172 (Review by Burton Rothleder) | conductor | BACH, CARL PHILIPP EMANUEL: Cello Concerto in A, Wq 172 (Review by Burton Rothleder) | harpsichord | BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson) | clavichord | BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson) | harpsichord | BACH, CARL PHILIPP EMANUEL: Four Duets, Wq. 115 (Review by Bernard Jacobson) | square piano | BACH, CARL PHILIPP EMANUEL: Symphonia in C, Wq 182/3 (Review by Burton Rothleder) | conductor | BACH, CARL PHILIPP EMANUEL: Symphonia in C, Wq 182/3 (Review by Burton Rothleder) | harpsichord | BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson) | clavichord | BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson) | harpsichord | BACH, JOHANN CHRISTIAN: Duet in G, op. 15 (Review by Bernard Jacobson) | square piano | BACH, JOHANN SEBASTIAN: Adagio in G, BWV 968 (Review by Christopher Brodersen) | harpsichord | BACH, JOHANN SEBASTIAN: Aria variata in a, BWV 989 (Review by Christopher Brodersen) | harpsichord | BACH, JOHANN SEBASTIAN: Capriccio sopra la lontananza del fratello dilettissimo, BWV 992 (Review by Christopher Brodersen) | harpsichord | BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson) | clavichord | BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson) | harpsichord | BACH, JOHANN SEBASTIAN: Concerto in C for Two Harpsichords, BWV 1061 a. The Art of Fugue, BWV 1080/18. Contrapunctus 13 (rectus and inversus) (Review by Bernard Jacobson) | square piano | BACH, JOHANN SEBASTIAN: Concertos for Harpsichord and Strings“ (Review by Brian Robins) | harpsichord | BACH, JOHANN SEBASTIAN: Concertos for Three Harpsichords, Strings, and Continuo (Review by Heuwell Tircuit) | harpsichord | BACH, JOHANN SEBASTIAN: Concertos (Review by George Chien) | harpsichord | BACH, JOHANN SEBASTIAN: Double Concertos (Review by George Chien) | harpsichord | BACH, JOHANN SEBASTIAN: English Suites (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: English Suites (Review by Brian Robins) | harpsichord | BACH, JOHANN SEBASTIAN: Fantasy and Fugue in a, BWV 904 (Review by Christopher Brodersen) | harpsichord | BACH, JOHANN SEBASTIAN: Fantasy in a, BWV 922 (Review by Christopher Brodersen) | harpsichord | BACH, JOHANN SEBASTIAN: French Suites (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: Harpsichord Concerto in d, BWV 1059 (Review by Burton Rothleder) | conductor | BACH, JOHANN SEBASTIAN: Harpsichord Concerto in d, BWV 1059 (Review by Burton Rothleder) | harpsichord | BACH, JOHANN SEBASTIAN: Klavierbüchlein für Wilhelm Friedemann (Review by James A. Altena) | harpsichord | BACH, JOHANN SEBASTIAN: Prelude and Fughetta in G, BWV 902 (Review by Christopher Brodersen) | harpsichord | BACH, JOHANN SEBASTIAN: Prelude and Fugues (Review by Christopher Brodersen) | harpsichord | BACH, JOHANN SEBASTIAN: Prelude, Fugue and Allegro in E♭, BWV 998 (Review by Christopher Brodersen) | harpsichord | BACH, JOHANN SEBASTIAN: The Well-Tempered Clavier, Book 2 (Review by Bertil van Boer) | harpsichord | BACH, JOHANN SEBASTIAN: The Well-Tempered Clavier (Review by Alan Swanson) | harpsichord | BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson) | clavichord | BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson) | harpsichord | BACH, WILHELM FRIEDEMANN: Concerto for two keyboards, F. 10 (Review by Bernard Jacobson) | square piano | BACH, WILHELM FRIEDEMANN: Flute Concerto in D, BR WFB C 15 (Review by Burton Rothleder) | conductor | BACH, WILHELM FRIEDEMANN: Flute Concerto in D, BR WFB C 15 (Review by Burton Rothleder) | harpsichord | BALBASTRE: Harpsichord Sonata No. 1 with Violin Accompaniment (Review by Barry Brenesal) | harpsichord | BALBASTRE: Pièces de clavecin (Review by Barry Brenesal) | harpsichord | BEETHOVEN, LUDWIG VAN: Fidelio (Review by Henry Fogel) | conductor | BEETHOVEN, LUDWIG VAN: Fidelio (Review by David Cutler) | conductor | BELLINI, VINCENZO: Norma (Review by Henry Fogel) | conductor | BELLINI, VINCENZO: Norma (Review by David Cutler) | conductor | BERTIN, LOUISE: Fausto (Review by Henry Fogel) | conductor | BERTIN, LOUISE: Fausto (Review by David Cutler) | conductor | BOCCHERINI, LUIGI: Fandango. Quartets for Two Harpsichords (Review by Edward Strickland) | harpsichord | BOCCHERINI, LUIGI: La Clementina (Review by Brian Robins) | conductor | BROSCHI, RICCARDO: Arbace (Review by David Johnson) | conductor | CAMPRA: Le carnaval de Venise (Review by Brian Robins) | conductor | CHERUBINI, LUIGI: Médée (Review by James H. North) | conductor | COUPERIN, ARMAND-LOUIS: Pièces de Clavecin (Review by Bertil van Boer) | harpsichord | COUPERIN, FRANÇOIS: Ariane consolée par Bacchus. Le Parnasse. Concert instrumental sous le titre d’apothéose compose à la mémoire de l’incomparable Monsieur de Lully (Review by Bertil van Boer) | conductor | COUPERIN, FRANÇOIS: Deuxième livre de Pièces de clavecin (Review by Elliott S. Hurwitt) | harpsichord | COUPERIN, FRANÇOIS: L'Apothéose de Lulli. Le Parnasse ou L'Apothéose de Corelli. Allemande a Deux Clavecins. La Juillet. La Letiville. Musete de Choisi. Musete de Taverni (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Les Nations (Review by Barry Brenesal) | conductor | COUPERIN, FRANÇOIS: Les Nations (Review by Barry Brenesal) | harpsichord | COUPERIN, FRANÇOIS: Motets (Review by J. F. Weber) | director | COUPERIN, FRANÇOIS: Pièces de clavecin, 15th Ordre (Review by Tom Moore) | harpsichord | COUPERIN, FRANÇOIS: Plainte pour les violes (Review by Bertil van Boer) | harpsichord | COUPERIN, FRANÇOIS: Premier livre de Pièces de clavecin (Review by Brian Robins) | harpsichord | COUPERIN, FRANÇOIS: Première Suite in e. Deuxième Suite in a (Review by Bertil van Boer) | harpsichord | COUPERIN, FRANÇOIS: Quatre versets (1703). Verset (1702). Sept versets (1704). Motet à Sainte Suzanne. Sept versets (1705). Laudate pueri Dominum (Review by J. F. Weber) | director | COUPERIN, FRANÇOIS: Quatrième livre de Pièces de clavecin (Review by Elliott S. Hurwitt) | harpsichord | COUPERIN, FRANÇOIS: Troisième livre de Pièces de clavecin (Review by Kevin Bazzana) | harpsichord | COUPERIN, LOUIS: Harpsichord Suites (Review by Barry Brenesal) | harpsichord | COUPERIN, LOUIS: Harpsichord Suites (Review by Christopher Brodersen) | harpsichord | D’ANGELBERT: Pièces de clavecin (Review by Brian Robins) | harpsichord | DAUVERGNE: Hercule mourant (Review by Barry Brenesal) | conductor | DESMAREST: Venus et Adonis (Review by Barry Brenesal) | conductor | DU MONT: Allemande. Litanies de la vierge. Symphonia à 3. Allemande à 3. Dialógus angeli et peccatone (Peccator, ubi es). Allemande. Pavane. Sarabande. In lectulo meo (1681). Allemande sur les Anches. In Te, Domine. Dialógus de Anima. Pavane in D Minor (Review by J. F. Weber) | harpsichord | DU MONT: Allemande. Litanies de la vierge. Symphonia à 3. Allemande à 3. Dialógus angeli et peccatone (Peccator, ubi es). Allemande. Pavane. Sarabande. In lectulo meo (1681). Allemande sur les Anches. In Te, Domine. Dialógus de Anima. Pavane in D Minor (Review by J. F. Weber) | organ | DU MONT: Motets en dialogue (Review by J. F. Weber) | harpsichord | DU MONT: Motets en dialogue (Review by J. F. Weber) | organ | DUPHLY, JACQUES: Harpsichord music (Review by Barry Brenesal) | harpsichord | FORQUERAY, ANTOINE: Complete Harpsichord Music (Review by Barry Brenesal) | harpsichord | FORQUERAY, ANTOINE: Pièce à trois violes in d (Review by Bertil van Boer) | harpsichord | FROBERGER, JOHANN JACOB: Su/fes (Review by Edward Strickland) | harpsichord | GLUCK: Armide (Review by Brian Robins) | conductor | GLUCK: Iphigénie en Aulide (Review by Brian Robins) | conductor | GLUCK: Le feste d’Apollo (Review by Barry Brenesal) | director | GLUCK: Le feste d’Apollo (Review by Brian Robins) | director | GLUCK: Le feste d’Apollo (Review by Barry Brenesal) | harpsichord | GLUCK: Le feste d’Apollo (Review by Brian Robins) | harpsichord | GOUNOD, CHARLES: Faust (1859 version) (Review by Ken Meltzer) | conductor | HANDEL, GEORGE FRIDERIC: Alcina (Review by Bill White) | conductor | HANDEL, GEORGE FRIDERIC: Riccardo Primo (Review by Ralph V. Lucano) | conductor | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by David Johnson) | conductor | HANDEL, GEORGE FRIDERIC: Scipione (Review by David Johnson) | conductor | HANDEL, GEORGE FRIDERIC: Scipione (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Serse (Review by Brian Robins) | conductor | HANDEL, GEORGE FRIDERIC: Serse (Review by Ron Salemi) | conductor | HANDEL, GEORGE FRIDERIC: Serse (Review by Barry Brenesal) | conductor | HANDEL, GEORGE FRIDERIC: Tamerlano (Review by Bill White) | conductor | HASSE, J A: Artaserse (Review by David Johnson) | conductor | HITA: La Briseida (Review by Brian Robins) | conductor | JOMMELLI, NICCOLÒ: Armida abbandonata (Review by David Johnson) | conductor | JOMMELLI, NICCOLÒ: Armida abbandonata (Review by Brian Robins) | conductor | LANDI, STEFANO: La morte d’Orfeo (Review by Bertil van Boer) | conductor | LECLAIR, JEAN-MARIE: Et toi . . . Noires divinités. Airs des Démons I & II. Brillante fille de Latone (Review by Brian Robins) | conductor | LECLAIR, JEAN-MARIE: Scylla et Glaucus (Review by Brian Robins) | conductor | LULLY: Amadis (Review by Barry Brenesal) | conductor | LULLY: Armide (Review by Barry Brenesal) | conductor | LULLY: Armide (Review by Brian Robins) | conductor | LULLY: Atys (Review by James A. Altena) | conductor | LULLY: Bellérophon (Review by Barry Brenesal) | conductor | LULLY: Overture (Review by Brian Robins) | conductor | LULLY: Persée (Review by Brian Robins) | conductor | LULLY: Psyché (Review by James A. Altena) | conductor | LULLY: Roland (Review by Brian Robins) | conductor | LULLY: Venez, Haine implacable. Passacaille (Review by Brian Robins) | conductor | MARAIS: Pieces for Viol, Book 1 (Review by James V. Maiello) | harpsichord | MARAIS: Suite d’un goût étranger (Review by Brian Robins) | harpsichord | MARCHAND: Harpsichord Suites (Review by Barry Brenesal) | harpsichord | MARSCHNER: Hans Heiling (Review by Henry Fogel) | conductor | MARSCHNER: Hans Heiling (Review by David Cutler) | conductor | MARTÍN Y SOLER, VICENTE: Il burbero di buon cuore (Review by Barry Brenesal) | conductor | MARTÍN Y SOLER, VICENTE: Il burbero di buon cuore (Review by Bob Rose) | conductor | MARTÍN Y SOLER, VICENTE: La capricciosa corretta (Review by Brian Robins) | conductor | MARTÍN Y SOLER, VICENTE: La madrileña o el tutor burlado (Review by Brian Robins) | conductor | MÉHUL: Joseph (Review by David Cutler) | conductor | MÉHUL: Joseph (Review by Henry Fogel) | conductor | MEYERBEER: Il crociato in Egitto (Review by Henry Fogel) | conductor | MEYERBEER: Il crociato in Egitto (Review by David Cutler) | conductor | MONDONVILLE, JEAN-JOSEPH CASSANEA DE: Isbé (Review by Brian Robins) | conductor | MOZART: Ah lo previdi. Ah se in ciel (Review by Brian Robins) | conductor | MOZART: Andante for Flute, K 315 (Review by Brian Robins) | conductor | MOZART: Davidde penitente (Review by Brian Robins) | conductor | MOZART: La Betulia liberata (Review by Brian Robins) | conductor | MOZART: Mass in c (Review by Brian Robins) | conductor | MOZART: Mitridate, rè di Ponto, K 87/74a (Review by Brian Robins) | conductor | MOZART: Mitridate, rè di Ponto, K 87/74a (Review by Bernard Jacobson) | conductor | MOZART: Sinfonia concertante in E♭ (Review by Brian Robins) | conductor | MOZART: Zaide (Review by Brian Robins) | conductor | NEBRA: Para obsequio a la deydad nunca es culto la crueldad, y Iphigenia en Tracia. Amor aumenta el valor (Review by Brian Robins) | conductor | PERGOLESI: Salve Regina (Review by David Johnson) | conductor | PERGOLESI: Stabat Mater. Salve Regina in f. Salve Regina in a (Review by J. F. Weber) | director | PORPORA, NICOLA: Polifemo (Review by David Johnson) | conductor | PURCELL, HENRY: Air in G (Review by Michael Ullman) | conductor | PURCELL, HENRY: Air in G (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Chaconne in g (Review by Michael Ullman) | conductor | PURCELL, HENRY: Chaconne in g (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Great God, and Just. My Song Shall Be Always (Review by Michael Ullman) | conductor | PURCELL, HENRY: Great God, and Just. My Song Shall Be Always (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Ground in C (Review by Michael Ullman) | conductor | PURCELL, HENRY: Ground in C (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Ground in D (Review by Michael Ullman) | conductor | PURCELL, HENRY: Ground in D (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Lord, What Is Man. Let the Night Perish (Review by Michael Ullman) | conductor | PURCELL, HENRY: Lord, What Is Man. Let the Night Perish (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: My Opening Eyes Are Purged (Review by Michael Ullman) | conductor | PURCELL, HENRY: My Opening Eyes Are Purged (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Sleep, Adam, and Take Thy Rest. Thou Wakeful Shepherd. The Earth Trembled. Now That the Sun Hath Veil’d His Light (Review by Michael Ullman) | conductor | PURCELL, HENRY: Sleep, Adam, and Take Thy Rest. Thou Wakeful Shepherd. The Earth Trembled. Now That the Sun Hath Veil’d His Light (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Suite in G (Review by Michael Ullman) | conductor | PURCELL, HENRY: Suite in G (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: Tell Me, Some Pitying Angel. In the Black, Dismal Dungeon of Despair (Review by Michael Ullman) | conductor | PURCELL, HENRY: Tell Me, Some Pitying Angel. In the Black, Dismal Dungeon of Despair (Review by Michael Ullman) | harpsichord | PURCELL, HENRY: The Night Is Come. With Sick and Famish’d Eyes. How Have I Strayed (Review by Michael Ullman) | conductor | PURCELL, HENRY: The Night Is Come. With Sick and Famish’d Eyes. How Have I Strayed (Review by Michael Ullman) | harpsichord | RAMEAU, JEAN-PHILIPPE: Castor et Pollux (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: Chaconne (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: Concerts en sextuor (Review by Barry Brenesal) | conductor | RAMEAU, JEAN-PHILIPPE: Concerts en sextuor (Review by Barry Brenesal) | harpsichord | RAMEAU, JEAN-PHILIPPE: Cruelle mère des amours (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: Harpsichord Suite in a (Review by Barry Brenesal) | harpsichord | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: Les Indes galantes (Review by Bertil van Boer) | conductor | RAMEAU, JEAN-PHILIPPE: Les fêtes de Polymnie (Review by Brian Robins) | conductor | RAMEAU, JEAN-PHILIPPE: Les indes galantes (Review by Barry Brenesal) | harpsichord | RAMEAU, JEAN-PHILIPPE: Overtures to (Review by Barry Brenesal) | conductor | RAMEAU, JEAN-PHILIPPE: Pièces de Clavecin (Review by Kevin Bazzana) | harpsichord | RAMEAU, JEAN-PHILIPPE: Pygmalion. Les Fêtes de Polymnie (Review by Barry Brenesal) | conductor | RAMEAU, JEAN-PHILIPPE: Zaïs (Review by Barry Brenesal) | conductor | RAMEAU, JEAN-PHILIPPE: Zaїs (Review by Daniel Morrison) | conductor | RAMEAU, JEAN-PHILIPPE: Zoroastre (Review by Andrew Quint) | conductor | ROSSINI: Elisabetta, regina d’Inghilterra (Review by Henry Fogel) | conductor | ROSSINI: Elisabetta, regina d’Inghilterra (Review by David Cutler) | conductor | ROYER: Allemande (Review by Barry Brenesal) | harpsichord | ROYER: La majestueuse. La Zaïde. Les matelots. Tambourin. L’incertaine. L’aimable. La bagatelle. Suite de la bagatelle. La rémouleuse. Les tendres sentiments. Le vertigo (Review by Barry Brenesal) | harpsichord | ROYER: La sensible. La marche des Scythes (Review by Barry Brenesal) | harpsichord | ROYER: Le pouvoir de l’Amour (Review by Brian Robins) | conductor | ROYER: Orchestral Suites from Le pouvoir de l’Amour; Zaide, reine de Grenade; Almasis; Pyrrhus (Review by Bertil van Boer) | conductor | ROYER: Pieces de clavecin, 1746 (Review by Elliott S. Hurwitt) | harpsichord | ROYER: Zaïde (Review by Brian Robins) | conductor | SACCHINI: Renaud (Review by Barry Brenesal) | conductor | SALIERI: Armida (Review by Bertil van Boer) | conductor | SALIERI: Les Danaïdes (Review by Barry Brenesal) | conductor | SALIERI: Les Horaces (Review by Barry Brenesal) | conductor | SCARLATTI, DOMENICO: Sonatas, K 44, 52, 53, 120, 124, 140, 141, 144, 147, 426, 427, 450, 461, 469, and 531 (Review by Leslie Gerber) | harpsichord | SPONTINI: Agnese von Hohenstaufen (Review by Henry Fogel) | conductor | SPONTINI: Agnese von Hohenstaufen (Review by David Cutler) | conductor | SPONTINI: La Vestale (Review by Henry Fogel) | conductor | SPONTINI: La Vestale (Review by James A. Altena) | conductor | TELEMANN, GEORG PHILIPP: Quartets (Review by Brian Robins) | harpsichord | TELEMANN, GEORG PHILIPP: Six Quartets for Flute, Violin, Viola da Gamba, and Continuo (Review by Brian Robins) | harpsichord | TRAETTA, TOMMASO: Antigona (Review by Brian Robins) | conductor | VIVALDI, ANTONIO: Concerto in B Minor for Four Violins, Strings, and Continuo, op. 3, no. 10 (Review by Heuwell Tircuit) | harpsichord | WAGNER, RICHARD: Die Feen (Review by Henry Fogel) | conductor | WAGNER, RICHARD: Die Feen (Review by David Cutler) | conductor | WAGNER, RICHARD: Lohengrin (Review by Henry Fogel) | conductor | WAGNER, RICHARD: Lohengrin (Review by David Cutler) | conductor | WEBER, CARL MARIA VON: Der Freischütz (Review by David Cutler) | conductor | WEBER, CARL MARIA VON: Der Freischütz (Review by Henry Fogel) | conductor |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
